Archived entries for Past

Interview: Erik Loyer

Chroma

Back in 1998, when I first saw The Lair of the Marrow Monkey I was totally taken in. In an era of CD-ROMs which sequenced the user through mostly static screens, or of experimental works with seemingly random or chaotic interactions, Lair‘s merger of storytelling with focused interactivity was really special. And then, three years  Read the rest…

Pretty Loaded

Your Own C, preloader

With the fashion for full Flash websites slowly fading into history (or is it just that websites load faster now?), I was excited to discover Pretty Loaded. Launched in January 2009, the site is an archive, or museum, of one of the artifacts of those big Flash sites… the preloader, or “loading” screen. Once upon  Read the rest…

Urban Feedback

GRollestone_UF-1

I remember a CD-ROM project from the 90s that was unlike almost else appearing at the time. An ambient fluid flow of images and film, mixed with a unusual collection of audio, it created the feeling of moving through an urban environment. You had only the vaguest feeling of control of it all — almost  Read the rest…

The Greatest Program Ever Written

MacPaint

Today, the source code to MacPaint was officially donated to the Computer History Museum and made available to the public. MacPaint was declared as “the best program ever written” at an event celebrating the Macintosh’s 20th anniversary, by Stanford University computer science professor Don Knuth. Written by Bill Atkinson, MacPaint was beautifully simple, like much  Read the rest…

Subservient Old Spice Man

old-spice-man_1

Wow that was fast. Yesterday marked the end of a remarkable Old Spice viral Internet campaign. Over the course of just two days, July 13 and 14, Wieden+Kennedy created about 185 YouTube videos as responses to queries and posts on Twitter for the Old Spice man. It was a fascinating take on interactivity. The team  Read the rest…

Saturn Green Line at NextFest

saturn_02

Way back in 2006, at the Wired NextFest, Saturn sponsored a “green” exhibit, highlighting their hybrid technology. It was a 4,000 square-foot installation featuring a life-sized, interactive holographic people, CAD projections onto vehicles, and a interactive/reactive wall with user-generated content. I first learned of the project when I was judging the Communication Arts 2007 Interactive  Read the rest…



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